NEC Philharmonia, NEC Symphonic Choir + David Loebel: Pärt, Mozart

NEC: Jordan Hall | Directions

290 Huntington Ave.
Boston, MA
United States

NEC Philharmonia and NEC Symphonic Choir, led by David Loebel, join in a performance of Mozart's "Great" Mass in C Minor, K. 427 with vocal soloists Josie Larsen '25 AD, Yeonjae Cho '24 AD, Shiyu Zhuo '24 MM, Ruoxi Peng '25 GD, sopranos; Suowei Wu '25 MM, tenor; and Hyungjin Son '24 MM, baritone.  Erica J. Washburn is NEC's Director of Choral Activities.
 
The program opens with Arvo Pärt's Fratres (Brothers) which has has been described as a “mesmerizing set of variations on a six-bar theme combining frantic activity and sublime stillness that encapsulates Pärt's observation that "the instant and eternity are struggling within us." 

—There will be no break between Pärt and Mozart—

 

From David Loebel

Any composer setting the text of the Roman Catholic mass must surrender to the liturgical strictures it imposes on their musical thought. By contrast, Arvo Pärt’s Fratres (“Brothers” in Latin) evokes the simplicity, mystical awe and serenity associated with medieval and Renaissance vocal music. Existing in several versions for various combinations of instruments, Fratres springs from Pärt’s deep commitment to his Russian Orthodox faith, inviting the listener to a world of inner stillness and private contemplation.

Mozart’s Mass in C Minor is Janus-faced, its double choruses and fugues looking backwards to the complexities of Handel’s oratorios, while its soprano arias anticipate the memorable women who would soon populate Mozart’s greatest operas: Susanna, Donna Elvira, Fiordiligi and the Queen of the Night.

The story of the mass’ composition and its place in Mozart’s oeuvre gives rise to many questions:

Why was it composed? To give thanks for Mozart’s wife Constanze’s recovery from illness, to mark the birth of their first child or—in a modern, psychological interpretation of Mozart’s relationship with his father—as a peace offering to Leopold Mozart meant to reconcile him to his son’s marriage?

How committed was Mozart to Catholicism? Why does the Credo text break off just before it describes Christ’s crucifixion and resurrection?

And most important, why has the mass come down to us as an incomplete torso?

In his recent book, Mozart in Motion, Patrick Mackie offers this possible explanation:
An unfinished mass setting was in effect the gesture with which Mozart finally left Salzburg behind. The C minor mass was among the most ambitious works that he ever attempted, a sort of total statement on everything music could be, at this point in the 1780s at least. It was a total statement that he could not complete, any more than he ever found completely satisfactory ways of being both Leopold’s son and Constanze’s husband, or a church-going believer and an enlightenment freethinker. The mass is by turns poignant and stern, twinkly and sweeping, serenely sensuous and tightly argued…Maybe (Mozart) failed to pursue the mass once its momentum had lapsed because he found that its energies could pour into secular music. The lengthening melodies and the cascades of harmonic argument throughout his later works can seem to carry a dispossessed feeling for the eternal.

The Mass in C Minor unquestionably engaged Mozart’s musical imagination more than
most—if not all—of his other sacred works. Despite the uncertainties surrounding it, it remains a priceless entry point into Mozart’s spiritual world.
– David Loebel


This is an in-person event with a public live stream: https://necmusic.edu/live
  1. Arvo Pärt | Fratres (1977)

  2. Wolfgang Amadeus Mozart | "Great" Mass in C Minor, K. 427

    Kyrie
                   Josie Larsen '25 AD, soprano
    Gloria
         Gloria in excelsis Deo
         Laudamus te
                   Yeonjae Cho '24 AD, soprano
         Gratias agimus tibi
         Domine Deus
                   Shiyu Zhuo '24 MM, Ruoxi Peng '25 GD, soprano
         Qui tollis
         Quoniam
                   Josie Larsen, Yeonjae Cho, soprano
                   Suowei Wu '25 MM, tenor
         Jesu Christe
         Cum Sancto Spiritu
    Credo
         Credo in unum Deum
         Et incarnatus est
                   Josie Larsen, soprano
    Sanctus
    Benedictus
                   Yeonjae Cho, Josie Larsen, soprano
                   Suowei Wu, tenor
                   Hyungjin Son '24 MM, baritone

    Artists
    • Yeonjae Cho '24 AD, Josie Larsen '25 AD, Ruoxi Peng '25 GD, Shiyu Zhuo '24 MM,, soprano
    • Suowei Wu '25 MM, tenor
    • Hyungjin Son '24 MM, baritone
  3. Tonight's soloists

    Yeonjae Cho is a Korean lyric coloratura soprano who has performed in numerous operas, including the roles of Queen of the Night in Die Zauberflöte, Norina in Don Pasquale, Eurydice in Orphée aux Enfers, Diana in L’arbore di Diana, Setsuko in An American Dream, Aminta in Il Re Pastore, Mrs. Jenks in The Tender Land and Erste Dame in Die Zauberflöte. This season, she will be featured as Diana in La Calisto and Adele in Die Fledermaus at the NewEngland Conservatory. She has also performed the roles of Lucia from Lucia di Lammermoor, Tytania from A Midsummer Night’s Dream, and Zerlina from Don Giovanni in the NEC Perkin Opera Scenes Program. Last April, sheperformed as a soprano soloist in the East Coast premiere of Gabriela Lena Frank’s Conquest Requiem with NEC Philharmonia and Symphonic Choir inBoston’s Symphony Hall. Additionally, she was named as a Boston District Winner by the Metropolitan Opera Laffont Competition and has been awarded NEC’s Wendy Shattuck Presidential Scholarship in 2023. She earned the bachelor’s and master’s degrees at the Seoul National University with honors, and she earned a Graduate Diploma at New England Conservatory. She is currently pursuing an Artist Diploma at New England Conservatory under the tutelage of Bradley Williams.

    A current Artist Diploma student of Bradley Williams at NEC, Josie Larsen is a lyric
    soprano from Sammamish, Washington. She completed her Master of Music degree at New England Conservatory and her Bachelor of Music degree at Brigham Young University, both in Vocal Performance. Recently, Josie took the NEC stage as the Governess in The Turn of the Screw. Her upcoming Operatic performances at NEC include Mimi in La bohème and Rosalinda in Die Fledermaus with Robert Tweten. Additionally, she is excited for an upcoming performance of Bachianas Brasileiras No. 5 by Villa-Lobos with Hugh Wolf. Josie’s greatest joy from performing comes from the opportunity it provides to connect with others from all around the world in any language.

    Ruoxi Peng is a Chinese soprano currently studying under the guidance of MaryAnn McCormick at New England Conservatory, where she is pursuing a Graduate Diploma in Vocal Performance. Ruoxi completed both her Master of Music and Bachelor of Music degrees at New England Conservatory. Last April, Ruoxi played Britomarte in NEC's Spring Main Stage production of Soler's L'arbore di Diana, and in May she made her role debut as Pamina in Die Zauberflöte with Mass Opera.  This was followed in July by her performance of Despina in Così fan tutte with Utah Vocal Arts Academy.  Later this month she will be performing the role of Diana in NEC’s Main Stage production of La Calisto.  She has also sung the roles of Zerlina, Serafina, Carolina, and Nellie in NEC’s Perkin Opera Scenes programs and has participated in various other NEC performances, including the Liederabend and Song and Verse recital series.  Ruoxi recently won the Mozart Prize in UVAA’s Opera Competition, 2nd Place in the Mass Opera Vocal Competition and was the Semi-Finalist in the Camille Coloratura Awards.


    Baritone Hyungjin Son, a native of South Korea, is an active opera, oratorio, and concert singer. Mr. Son has performed the roles of Uncle Bonze, Madama Butterfly; Don Giovanni, Don Giovanni; Doristo, L’arbore di Diana; Don Alfonso, Così fan tutte; Mr. Putnam, If I were you; “Pa” Zegner, Proving up; and Sir Thomas, Mansfield Park. He has also performed as a soloist for Brahms Ein deutsches Requiem with the BU Symphony Orchestra at Boston’s Symphony Hall. As a studio artist at Aspen Music Festival, he covered the role of Ford in Falstaff, with international bass-baritone Bryn Terfel in the title role and covered the title role in Don Giovanni as well. He was named an Encouragement Winner in 2020 and a district winner in 2022 in the Boston district of Metropolitan Opera National Council Auditions, and he was named in the national semi-finals of Metropolitan Opera Laffont Competition. He is pursuing master’s degree at New England Conservatory under the tutelage of Bradley Williams. He holds a Bachelor of Music degree in vocal performance from Seoul National University, and a graduate certificate from Opera Institute of Boston University. Recently, Mr. Son made his debut as Uncle Bonze in Madama Butterfly with Detroit Opera and Boston Lyric Opera.

    Suowei Wu is a tenor from Wenzhou, China. He is currently in hs first year of study for the Master of Music degree in Vocal Performance under the guidance of Bradley Williams. Prior to his graduate studies, he completed his Bachelor of Music degree at Xinghai Conservatory of Music in Guangzhou, China, under the tutelage of Chuangliang Wang and Xiaomeng Zhang. A recipient of the National Scholarship award in China, Suowei was also a recipient of the academic honors scholarship award at Xinghai Conservatory of Music for three consecutive years and a Silver prize winner of the Wenzhou Young Singers Young Prix Competition. He was previously a tenor lead singer at Xinghai Conservatory of Music’s Chamber Choir.

    Chinese soprano Shiyu Zhuo has been honing her skills in vocal performance for the past several years and is currently studying for her Master of Music degree at New England Conservatory. In the 2022-2023 season, Ms. Shiyu made her debut at The Wiener Musikverein as Gretel in Hänsel und Gretel. In addition to her performance tonight as a soloist in Mozart’s Mass in C Minor, this year at NEC she will perform in the Liederabend series, will sing the role of Calisto in the November production of La Calisto, conducted by Robert Tweten, and will make her house debut as Musetta in La Bohème in February at NEC’s Jordan Hall.

  4. NEC Philharmonia and NEC Symphonic Choir

    First Violin
    Yebin Yoo
    Min-Han Hanks Tsai
    Jisoo Kim
    Arun Asthagiri
    Ioan-Octavian Pirlea
    Chloe Hong
    Emma Boyd
    Olga Kaminsky
    Emily Lin
    Tsubasa Muramatsu


    Second Violin
    Rachel Yi
    Hannah Park
    Jusun Kim
    Anatol Toth
    Minami Yoshida
    Jordan Hadrill
    Peixuan Wu
    Sydney Scarlett
    Mitsuru Yonezaki


    Viola
    Nicolette Sullivan-Cozza
    Sachin Shukla
    Xinlin Wang
    Bram Fisher
    Katie Purcell
    Yeh-Chun Lin
    Sophia Tseng


    Cello
    Andres Sanchez
    Zachary Keum
    Max Zhenren Zhao
    Lily Uijin Gwak
    Lexine Feng
    Nicholas Tsang Man To
    Noah Lee


    Bass
    Shion Kim
    Colby Heimburger
    Alyssa Burkhalter
    Cailin Singleton


    Flute
    Honor Hickman

    Oboe
    Gwen Goble  
    Kelley Osterberg


    Bassoon
    Abigail Heyrich
    Jialu Wang


    French horn
    Grace Clarke
    Noah Silverman


    Trumpet
    Nelson Martinez
    Alex Prokop


    Trombone
    Quinn McGillis
    Noah Korenfeld 

    Bass Trombone
    David Paligora


    Percussion
    Liam McManus

    Organ
    Lingbo Ma

    NEC Symphonic Choir
     

    Aislin Alancheril
    * Andrés Almirall
    Genie Alvarado
    * Charleen Andujár Ortiz
    * Ilan Balzac
    * Alexis Boucugnani
    Emelia Boydstun
    Peter Butler
    Gia Cellucci
    Coco Chapman
    Baian Chen
    Chen Chen
    Daniel Chen Wang
    § Xingyan Chen
    Bryan Chiang
    Su Cong
    Anjulie Djearam
    Yuxin Duan
    Ivy Evers
    * Felix Feist
    * Isaac Garrett
    Timothy Goliger
    Bailee Green
    Siyuan Guan
    Jialin Han
    Thatcher Harrison
    Cameron Hayden
    Jinyu He
    Jackie Hu
    Jane Ai Jian
    Yoomin Kang
    Dohyun Kim
    Ian Yoo Kim
    Molly Knight
    * Carol Krusemark
    Jinyoung Kweon
    Julia LaGrand
    Yu Lei
    Yali Levy Schwartz
    Lucci Zimeng Li
    Matthew Li
    Pengyi Li
    Qianqian Li
    Shawn Xiangyun Lian
    Hao Wei Lin
    Nine Lin
    Angelina Pin-Hsin Lin
    * Sally Millar
    Hannah Miller
    Yechan Min
    Samuel Mincarelli
    Yowon Nam
    Yuhang Nan
    Grace Navarro
    Daniel Oslin
    Daniela Pyne
    Quinn Rosenberg
    Nancy Schoen
    Samuel Schwartz
    Yide Shi
    * Tamir Shimshoni
    Yunsun Shin
    Eunchae Song
    * Sara Stancliffe
    Maggie Storm
    Minhyuk Suh
    Matthew Tirona
    * Jane Tsuang
    Valentine Umeh
    Jason Vu
     ‡ Calvin Isaac Wamser

    Chenzhou Stephen Wang
    Haowen Wang
    Tianyou Wang
    Yinuo Wang
    Zhaoyuan Wang
    McLain Weaver
    Lena Ying Ting Wong

    Shanshan Xie
    Ian Yan
    Jasmine Enje Yang
    ShengQiao Ye
    *Aimee Yermish

    Yuki Yoshimi
    Henri Youmans
    Jessica Yuma
    Honghao Howard Zheng

    * Maggie Zheng
    Jiarui Gary Zhou


    *community member
    Gloria incipit
    § Credo incipit