EM is available to students through individual advising, courses, project funding, and paid experiential learning. The EM Team are conservatory-trained professionals with experience in many genres of music, from classical to rock, both onstage and beyond. NEC students and alumni have access to free one-on-one advising sessions about anything from bio writing and resumes to grant proposals, long term projects, career direction, and artistic goals.
Associate Dean & Faculty
Annie is a clarinetist, bass clarinetist, and arts advocate whose career has spanned almost every department of every size of organization, from a self-managed chamber ensemble to a startup orchestra-for-hire to the San Francisco Symphony.
Annie is co-director of Switchboard Music, whose flagship event is an annual marathon festival showcasing the Bay Area's diverse musical communities, and is Instructor of Arts Marketing at UMass Amherst.
Before moving to Boston, Annie lived in San Francisco and worked on behalf of numerous ensembles promoting new and interesting musical presentations. Most recently, Annie was on the professional development faculty at the San Francisco Conservatory and program lead at Zoo Labs, where she led two-week music residencies blending elements of a tech startup accelerator with a traditional artist residency. For five years, she was the managing director of the Magik*Magik Orchestra, a made-to-order orchestra for artists and creatives, and was a founding member of a theatrical chamber ensemble that performed music from memory and in costume.
Annie earned degrees in clarinet performance from the Peabody and San Francisco Conservatories. Outside of music, Annie is a competitive rower and noncompetitive knitter.
Assistant Dean & Faculty
Andrew Worden is a drummer, percussionist, and composer in Boston, MA where he is Faculty and Assistant Dean of Entrepreneurial Musicianship at the New England Conservatory.
As a composer, Andrew's percussion music is programmed frequently at conservatories and universities around the world with recent performances in France, Greece, Germany, Switzerland, Japan, Malaysia, Colombia, and across the United States. His music has been performed by the Paris Percussion Group, the Eastman Percussion Ensemble, and was featured at the Percussive Arts Society International Convention in 2017 and in Carnegie Hall in 2018. As a composer for multimedia, Andrew's original scores can be heard in the documentary Spiritus (Student Academy Awards, finalist) and the children’s book series Yum & Yuk.
Alongside composer Ivan Trevino, Andrew recently started The Big Trouble, a percussion / songwriting collective focused on creating music for percussion and vocals in an indie-rock aesthetic. The Big Trouble was the recipient of an Arts Grant from The Boston Foundation in 2017 and has since released their debut album on Spotify and iTunes.
He currently teaches two courses at NEC: Health & Wellness for Musicians and Grant Writing for Artists, where he has helped students earn more than $100,000 in paid performances and grants. Prior to his appointment at NEC, Andrew was Managing Director of the Mizzou International Composer’s Festival, and a post-graduate intern in Performing Arts Medicine at the Eastman School of Music.
Andrew earned the MM in Percussion Performance and Certificate in Arts Leadership from the Eastman School of Music where he studied with Michael Burritt and Bill Cahn.
Singaporean countertenor, Wei En Chan, has performed in concerts internationally with solo highlights including Bach cantatas with Bachfest Malaysia, directed by David Chin, Bernstein's Chichester Psalms with the NEC Philharmonia and Concert Choir, directed by Hugh Wolff, and alto solos in B Minor Mass with the American Bach Soloists and Bachfest Malaysia.
Wei En’s repertoire also includes Bach’s St. John Passion, St. Matthew Passion, and Magnificat, Handel’s Dixit Dominus and Messiah, Orff’s Carmina Burana, Haydn's Mass in Time of War and Nelson Mass, Vivaldi’s Dixit Dominus. Wei En enjoys performing standard and contemporary operatic repertoire. He sang the Boston premiere of Stefan Weisman’s The Scarlet Ibis with Boston Opera Collaborative and was involved in the workshop premiere of Cerise Jacob’s videogame opera, Permadeath.
Wei En sings with Boston based early music groups, Carduus, under the direction of Holly Druckman, and Canto Armonico, directed by Cheryl Ryder. He also sings with the Cambridge Chamber Ensemble, Henry Purcell Society of Boston, and First Lutheran Church of Boston. Wei En has performed with the Association of Toronto Chinese Evangelical Church Musicians, Cayuga Chamber Orchestra, Hong Kong Bach Festival, MIT Concert Choir, Opera Ithaca, and the R.I. Civic Chorale & Orchestra.
Wei En holds a M.M. in Voice Performance from New England Conservatory, where studied with Dr. Ian Howell, and a B.M. in Voice Performance from Ithaca College, where he studied with Professor Carol McAmis. In Singapore, Wei En studied with Toh Ban Sheng.
Follow Wei En on facebook@ChanWeiEnCountertenor and Instagram@weiencountertenor