NEC Preparatory School National Youth Chorale Festival + Erica J. Washburn
NEC National Youth Chorale Festival is a 14-week online choral experience designed to provide a multifaceted learning platform for singers who desire to gain knowledge and experience in improving their sense of individual responsibility within a larger ensemble: how to stay in the best physical and vocal health possible while continuing to improve fundamental skills such as rhythm, solfège, harmonic and melodic progressions, and phrasing, and how to collaborate in a virtual environment with other like-minded students their own age.
Since the festival began in September, these students have created a safe, virtual space - a community - where they have been able to study music and connect with each other, supporting and encouraging one another from as far away as Massachusetts to California and, through our partnership with the Walnut Hill School, even to China.
This concert was created entirely through remote submissions.
From Erica J. Washburn:
Choral singing, whether in unison or in parts, is the oldest form of ensemble music making. It has lived for thousands of years despite human oppression and catastrophe.
The pandemic has required us to try our hand at replicating the traditionally intimate experience of choral singing while separated by many miles and time zones. What this pandemic could not change is the passion for choral artistry, and it most certainly was not going to prevent the members of the National Youth Chorale from dedicating themselves to finding a way, despite the challenges, to share their art.
Every human has a voice, whether the use of that instrument flows from their vocal cords or their hands. Every human must be seen and should be heard.
Learn more about the NEC National Youth Chorale Festival
WATCH CONCERT STREAM:
- NEC Preparatory School National Youth Chorale
- Valerie Becker, piano
Lasha Kvetenadze | Rad mitvaltsuneb?
Lasha Kvetenadze was born in 1978 in Tbilisi, Georgia. He holds master’s degrees in both choral and opera-symphonic conducting from the V. Sarajishvili State Conservatoire in Tbilisi, where he also studied composition with Joseb Kechaqmadze and Bidzina Kvernadze. He is active as a conductor and professional choral singer in Georgia.
Romantic poet Rapiel Eristavi was born in the village of Kitsauri in Kakheti in eastern Georgia. He was a poet, playwright, historian, lexicologist, archaeologist, and played an important role in the development of Georgian ethnography and folk studies. He also participated in the scientific study of the text of Shota Rustaveli’s The Knight in Panther’s Skin in 1882.Text
Rad mitvaltsuneb
Rad mitvaltsuneb, ras gak’virvebs chemi ch’agara?
Pik’rma da dardma tma gamitetra, shubli daghara.
Azrit da gulit isev is var, isev norchi qrma.
Isev dzgers guli, shiga suprevs siqvaruli ghrma.
Magram ras vbodav, rad ar vitsi, ratsa var me dghes!
Suls et’rpis suli, megobrulad, t’oli t’olsa sdevs,
Chems tetrsa tmasa bunenisgan ra valitsa sdevs!
Rad ar vpikrob, rom dro aris suli amomkhdes?
Rapiel EristaviWhy scorn me?
Why scorn me, why be surprised by my graying hair?
Thoughts of sadness have turned my hair gray and wrinkled my forehead.
In my mind and heart I am the same, the same boyish youth.
In the same youthful heart, there deep love resides.
But what delirium, why don’t I know who I am today?
I seek a kindred soul to befriend.
My white hair is a sign that nature’s loan is running out!
Why don’t I think this is the time for the soul to depart?Tobias Hiller | Seufzer, from "Zwei Mörikelieder" (2004)
Although the German poet Eduard Mörike hardly ever ventured out of the provincial environment of Württemberg’s small towns, his poetry is anything but provincial. His lyric still seems to be at the same time wistful, sometimes engrossed, dreamily ecstatic, and ravishingly musical, as if Mörike had wanted to create with his poems a parallel world to the constrictions of civil conventions. His encounter with the mysteriously beautiful roamer Maria Meyer during his theology studies in Tübingen stigmatized him for life. He constantly had secret and sometimes inhibited affairs. His engagement to Luise Rau in 1829 fails, as does his marriage to Margarethe Speeth in 1851. During his time as a vicar, he wrote his now famous nature lyrics (“Um Mitternacht”) and numerous love poems, but only rarely poems with religious content—which is surprising given his profession. One of these poems, Seufzer, was written in 1832 and immediately set to music in an extremely conventional way by his brother Karl.
Composer Tobias Hiller was born in 1966 in Waldkirch (Breisgau) and studied music education in Freiburg (with an emphasis on singing, oboe, and conducting), as well as geography, history, and later choral and orchestral conducting at the Musikhochschule Frankfurt am Main under Professor Wolfgang Schaefer. Master classes in singing broadened his repertoire and performance of early music, and conducting courses developed his background of oratorio and contemporary literature. After several years as a professional freeland singer and conductor, he joined the faculty of the University of Tübingen as music director. He and his various ensemles have performed throughout Europe, China, Maroc and Brazil, and his compositions are regularly performed southern Germany and Switzerland.Text
Seufzer
Jesu benigne!
A cujus igne
Opto flagare
et tea mare:
Cur non flagravi?
Cur non amavi
Te, Jesu Christe?
—O frigus triste!
Dein Liebesfeuer,
Ach, Herr! Wie teuer
Wollt’ ich es hegen,
Wollt’ ich es pflegen!
Hab’s nicht geheget
Und nicht gepfleget,
Bin tot im Herzen—
O Höllenschmerzen!
Eduard Mörike (1804–1875)Sigh
Kind Jesus,
In whose flame
I hope to burn
And to love You:
why haven’t I burned?
Why haven’t I loved
You, Jesus Christ?
—O freezing sadness!
The fire of Your love,
O Lord, how dearly
I would cherish it,
I would protect it.
I have not cherished it,
And I have not protected it.
I am dead in my heart—
O pains of Hell!César Alejandro Carrillo | O vos omnes (2013)
This work is an anguished cry at the irreparable loss of a loved one and must be sung with a feeling of deep pain and resignation. It is dedicated to the loving memory of my son, Simón Odoardo Carrillo Morales, who departed to the Infinity on February 3, 2013. God bless you, dear son, wherever you are.
– César Alejandro CarrilloText
O vos omnes,
qui transitis per viam,
attendite, et videte si est dolor
sicut dolor meus.O all ye
That pass by the way,
attend and see, if there be any sorrow
like my sorrow.Sarah Quartel | Wide Open Spaces (2014)
Text
There’s part of my story, there’s part of my song,
There’s part of my journey that’s yet to be found.
With life all around us and so much to see,
Adventure is calling,
It’s calling to me.
Out in the wide open spaces around me.
With big sky above me,
I’m on my way,
Scanning the horizon of a brand new day.
Feet to the earth now, there’s no turning back.
Into the world now, look at me go!
Out in the wide open spaces around me.
But as I journey out I look within
The spaces inside of me yet to be filled,
Filled with what I have seen and what I will be.
I’m filling the wide open spaces inside of me
With something I love, something I would like to be!
Filling the wide open spaces within me.Personnel
Assistant conductors: Joseph Nizich and Jennie Segal
Nina Ambrose
Ilan Balzac
Katherine Burstein
Rose Billings
Leyna Blume
Margaret Bowers
Benjamin Brown
Alexis Cai
Ella Canney
Isaiah Choi
Katie Clifford
Keira Comtois
Elizabeth Crawford
Elena Davis
Dilyn Engelhart
Shuyi Sophia Fang
Liam Fitzgerald
Olivia Gan
Jack Gilmore
Julia Gold
Crystal Huang
Mateo Ibarra
Erin Kim
Shohnini Lala
Charlotte Lawrence
Kate Li
Sophie Li
Chloe Locke
Amphitrite Ma
Tyler McMorrow
Sarine Meguerditchian
Talitha Muggeridge
Riley Musi
Ravi Nguyen
Ava Paul
Bethany Peterson
Alexandra Poliakoff
Hunter Reid
Elisha Rivera
Marian Rookey
Ronak Saluja
Kenneth Shen
Evelyn Simanowski
Vivian Stringfellow
Emma Thomas
Abigail Tidlow-Tranel
Fangzhen Wang
Christopher Yoo
Chengyou Rain Zhang
Eddie ZhouArtists- Valerie Becker, piano