Boston Chamber Music Society Presents: Caprice, Café, and Cabaret: Music by Debussy, Schoenfield, Schoenberg
Debussy’s Caprices en blanc et noir for two pianos, emerging from the composer’s own illness and concern for France’s involvement in World War I, is full of literary allusions and musical references. Schoenfield’s Cafe Music for piano trio (1986) is a virtuosic romp through various twentieth-century American and European musical styles such as Broadway, Viennese, Romani, light classical and others. Schoenberg’s groundbreaking melodrama Pierrot Lunaire is a melodic and harmonic landscape freed from traditional tonal structures. A soprano narrates the story of the titular character using sprechstimme, a type of sung speech drawn from German cabaret.
Please reach out to the Boston Chamber Music Society Box Office with any questions regarding programming or ticketing details at 617-349-0086 or by emailing info@bostonchambermusic.org.
Debussy: Caprices en blanc et noir for Two Pianos, L. 134 (1915)
Paul Schoenfield: Café Music (1986)
Schoenberg: Pierrot Lunaire, Op. 21 (1912)
Lucy Shelton, soprano
Tara O'Connor, flute
Romie de Guise-Langlois, clarinet
Jennifer Frautschi, violin
Raman Ramakrishnan, cello
Max Levinson, piano
Benjamin Hochman, piano