Jayne West
Education and Training
BM and MM, Oberlin Conservatory; MM, The Boston Conservatory. West was a Tanglewood Fellow for two years, studying with Phyllis Curtin. She then continued to study with Curtin privately in Boston. Previously, she studied voice with Howard Hatton at Oberlin and Iride Pilla at Boston Conservatory.
Awards and Recognition
Finalist, Regional Metropolitan Opera National Council Auditions
Winner, Oratorio Society of New York Competitio
Jayne West
Division: Expanded Education
Department: Voice
Instrument: Voice
Soprano Jayne West has performed with many of the country's leading orchestras, including the Philadelphia Orchestra, National Symphony, Detroit Symphony, Orchestra of St. Luke, St. Paul Chamber Orchestra, and the Boston Symphony Orchestra (at Symphony Hall, Carnegie Hall, Kennedy Center, Tanglewood Main Stage and Seiji Ozawa Hall). She has sung under notable conductors Seiji Ozawa, Bernard Haitink, Trevor Pinnock, Neeme Järvi, Roberto Abbado, Jesus Lopez-Cobos, Christopher Hogwood, Jane Glover, Grant Llewellyn, and Keith Lockhart. She has performed at the Edinburgh Festival, Tanglewood Music Festival, Grant Park Series, Saito Kinen Festival, and with the Théâtre Royal de la Monnaie (Brussels, Belgium), Houston Grand Opera, The New Israeli Opera Tel Aviv, and Boston Lyric Opera.
West has performed for many years with Emmanuel Music, notably in their Sunday Cantata Series, Emmanuel Music’s Chamber Series, and in Schubert’s Mass in E-flat, Bach’s B Minor Mass, Handel’s Hercules, Saul, Jephtha, Brockes Passion and Ariodante, Mozart’s The Magic Flute, and Haydn’s Creation.
West sang the role of Countess Almaviva in Craig Smith’s and Peter Sellars’s production of Le Nozze di Figaro in New York, Boston, Barcelona, Paris, and Vienna where it was filmed and broadcast for “Great Performances.” West premiered Mark Morris Dance Group’s productions of L’Allegro, il moderato ed il pensiero and Dido and Aeneas in Brussels, Belgium, “Stephen Foster Songs” in Boston, and Virgil Thompson’s Four Saints in Three Acts in Berkeley, Calif.
Recent performances include two recitals with the Martha’s Vineyard Chamber Music Society in works by Hugo Wolff and Charles Loeffler and her second performance with Landmarks Orchestra of Boston at the Hatch Shell on the Esplanade in Boston in “Solveig’s Song” and “Solveig’s Vuggevise” from Peer Gynt by Edvard Grieg.
West has recorded for MusicMasters, Decca/Argo, London Records, Newport Classics, Koch, and Hyperion. She is most recently heard on the posthumously released recording “Lorraine at Emmanuel” in duet with Lorraine Hunt Lieberson. Also faculty of Longy School of Music of Bard College.
Curriculum Vitae
BM and MM, Oberlin Conservatory; MM, The Boston Conservatory. West was a Tanglewood Fellow for two years, studying with Phyllis Curtin. She then continued to study with Curtin privately in Boston. Previously, she studied voice with Howard Hatton at Oberlin and Iride Pilla at Boston Conservatory.
- Finalist, Regional Metropolitan Opera National Council Auditions
- Winner, Oratorio Society of New York Competitio