Performances + Events
Understanding George Russell’s Lydian Chromatic Concept
Eben Jordan Ensemble Room
Free
In-Person Event
Gunther Schuller, in creating the first Jazz program at NEC in 1969, brought a wealth of innovative artists. The contribution of George Russell to the musical community cannot be overestimated. He dedicated more than fifty years of his life to developing a theory of understanding music that came entirely from his intuition, experience, and practical research both as composer, band leader, and educator.
Shrouded in mystery, the Lydian Chromatic Concept (LCC) remains largely an elusive esoteric theory — unless you understand it. The Lydian Chromatic Concept is actually however not that difficult to wrap your head around and to use. But, it helps to have a tour guide. That’s where Ben Schwendener comes in. He worked with George Russell for many years, and has been teaching this theory for 30+ years here at the New England Conservatory.
In this one hour overview, Benjamin Schwendener presents — in easy to understand terms and sounds — the foundational principles and theoretical perspective of the LCC, along with students performing original works from the class.
Shrouded in mystery, the Lydian Chromatic Concept (LCC) remains largely an elusive esoteric theory — unless you understand it. The Lydian Chromatic Concept is actually however not that difficult to wrap your head around and to use. But, it helps to have a tour guide. That’s where Ben Schwendener comes in. He worked with George Russell for many years, and has been teaching this theory for 30+ years here at the New England Conservatory.
In this one hour overview, Benjamin Schwendener presents — in easy to understand terms and sounds — the foundational principles and theoretical perspective of the LCC, along with students performing original works from the class.
