Liederabend dates back to the 1800s, when musicians and lovers of music would gather at someone's home, and one or more singers would perform the songs of composers of the day. In the field of classical music, these songs are referred to today as "art songs", and the German art songs are called "Lieder". In Germany, the great age of song came in the 19th century. German and Austrian composers had written music for voice with keyboard before this time, but it was with the flowering of German literature, in the Classical and Romantic eras, that composers found high inspiration in poetry that sparked the genre known as the "Lied".

NEC faculty members Tanya Blaich and Cameron Stowe coach NEC graduate students from the departments of collaborative piano and voice in an evening of song.

The Program:

Schumann: Fünf Lieder, op. 40
Junhan Choi, baritone and JiYung Lee, piano
Brahms: Vier ernste Gesänge
Josh Quinn, bass-baritone, and Mana Tokuno, piano
Brahms: Verzagen, Lerchengesang, Das Mädchen op. 95 no. 1, Unbewegte laue Luft
Jihee Han and Zhuojun Fei
Grieg: Sechs Lieder, op. 48
Stephanie Scogna, soprano and Joshua Marzan, piano
Schumann: from Lieder und Gesänge aus Wilhelm Meister, op. 98a (“Mignon-Lieder”)
Soyoung Park, soprano and SoYoung (Sarah) Yang, piano

 

Date: April 9, 2014 - 6:30:PM
Price: Free
Location: Williams Hall

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WITHOUT CRAFTSMANSHIP, INSPIRATION IS A MERE REED SHAKEN IN THE WIND. JOHANNES BRAHMS