Prescreening and Live Auditions:
- J. Ibert: Concertino da Camera (pub. Leduc), or a comparable work
- Choose one of the following, or a comparable work:
- P. Creston: Sonata, Op.19 (pub. Shawnee); 2 contrasting mvmts
- I. Dahl: Concerto (pub. European American Music); 2 contrasting mvmts
- J. Tower: Second Flight (pub. Associated Music Publishers)
- E. Denisov: Sonata (pub. Leduc); any 2 mvmts
- Chen: Twice Removed (pub. RCEditions)
- A. Glazounov: Concerto (pub. Leduc)
- J. Harbison: Sonata “San Antonio” (pub. Schirmer-AMP); 2 contrasting mvmts
- Two orchestral excerpts from The Orchestral Saxophonist, Vol.1 (pub. Roncorp). Suggested excerpts:
- M. Mussorgsky-M. Ravel: Pictures at an Exhibition
- S. Prokofiev: Lieutenant Kije
- S. Rachmaninov: Symphonic Dances
Recorded Auditions:
Please record 5-10 minutes of each solo piece in one take without edits. If one of your selections is less than 5 minutes, please record the entire selection. If one of your selections is more than 10 minutes, please do not record the entire piece and instead select excerpts of the piece to perform. All of your orchestral excerpts should be recorded in one take without edits.
Admissions contact:
Kristyn Morey, Assistant Director of Enrollment Management Email