Recital: CJ Schrieber '22, Jazz Composition
NEC's students meet one-on-one each week with a faculty artist to perfect their craft. As each one leaves NEC to make their mark in the performance world, they present a full, professional recital that is free and open to the public. It's your first look at the artists of tomorrow.
CJ Schrieber '22 studies Jazz Composition with Ken Schaphorst, Frank Carlberg, and Mark Zaleski.
This performance is open to in-person audiences, and can also be viewed via livestream.
- CJ Schrieber '22, jazz composition
- Ken Schaphorst, studio teacher
- Frank Carlberg, studio teacher
- Mark Zaleski, studio teacher
CJ Schrieber | Don't Talk to Me
Artists- Harrison Pershing, alto saxophone solo
- Michael Gerace, trombone solo
CJ Schrieber | You Should Leave
Artists- Lemuel Marc, trumpet solo
CJ Schrieber | from Once in a While
I. Dull
Zion Dyson, vocals
Simone Trovato, trumpet solo
II. It’s Not That Serious
Garrett Frees, tenor saxophone solo
Eleanor Pruneau, piano solo
III. Oh Goodness
Zoe Murphy, trumpet solo
Avi Randall, synthesizer
IV. For You
Zion Dyson, vocals
Personnel
Woodwinds
Harrison Pershing, alto and soprano saxophone
Joseph Borsellino III, alto saxophone
Chris Ferrari, clarinet,tenor saxophone
Garrett Frees, tenor saxophone
Nick Biagini, bass clarinet, baritone saxophone
Trumpets
Mark Tipton
Zoe Murphy
Simone Trovato
Lemuel Marc
Trombones
Joseph Dies
Michael Gerace
Aiden Coleman
Quinn McGillis
Rhythm
Avi Randall, synthesizer
Thatcher Harrison, guitar
Eleanor Pruneau, piano
Chris Worden, double bass
Carles Pereira, drums
Vocals
Zion Dyson
I would like to thank my friends and family for their unconditional support of my musical endeavors.
Additionally, I would like to thank my teachers, Ken Schaphorst, Frank Carlberg, and Mark Zaleski for the wisdom they have shared over the past two and a half years, as well as the many other teachers I studied with in my time both at Berklee and NEC.
I would also like to thank the performers for taking time out of their busy schedules to help make my music come to life.
Lastly, I would like to thank NEC for allowing me the opportunity to have my music performed in Brown Hall, as well as the countless other performance and educational opportunities provided to me by the conservatory. Without any of the aforementioned people, none of this would have been possible, so I thank you.