Cello

Hailed by John Williams, Grammy award winning composer and conductor as “an outstanding cellist and truly dedicated artist,” Emmanuel Feldman enjoys an active career as a soloist, chamber musician, recording artist, champion and commissioner of new music and educator.

With a repertoire ranging from Bach to Ligeti to today's cutting edge composers, Feldman has concertized throughout Europe and North America. He has performed as soloist with the Boston Pops, Nashville Chamber Orchestra, Greensboro Festival Orchestra, Boston Philharmonic, Boston Modern Orchestra Project, New England String Ensemble and many others. An avid chamber musician, he was invited to participate in the Marlboro Music Festival and has collaborated with such distinguished artists as Richard Stoltzman, Gilbert Kalish, Robert Levin, Joy Cline-Phinney, Victor Rosenbaum, Jorge Bolet, Lynn Chang, Marcus Thompson, the Borromeo String Quartet, Aurea Ensemble and soloed with world renowned pop and jazz artist Bobby McFerrin in music from McFerrin's album “Hush.”

Emmanuel Feldman album coverFollowing his debut in 2006 on the Bank of America Marquee Celebrity Series, Richard Dyer of the Boston Globe wrote “Emmanuel Feldman was superb in the Bach Solo Suites.”  His solo CD on Albany Records, Rider on The Plains, featuring Virgil Thomson's Cello Concerto, was part of producer Blanton Alspaugh's 2008 nomination for a Grammy award (Producer of the Year) and was hailed as an “excellent recording…the concerto sounds exhilarating in this bracing and confident performance” by Anthony Tommasini in the New York Times. He has also recorded chamber music on the Naxos, Arsis, Zimbel and other labels.

A consummate advocate of new music, Feldman has participated in premieres and first recordings of numerous new compositions by composers Richard Danielpour, Michael Gandolfi, John Harbison, Aaron Kernis, David Diamond, Charles Fussell, Gunther Schuller, John McDonald, Jan Swafford and many others. As co-founder of Cello e Basso (formerly the Axiom Duo) with double bassist Pascale Delache-Feldman, they have been called “a musical Lewis and Clark, opening up new musical territories” by NPR's Ron Schacter and are dedicated to bringing new music and new musical experiences to audiences worldwide.

Feldman has participated in the Pablo Casals Festival, Schlesswig Holstein Musik Festival and was a faculty member at the Yellow Barn Music Festival, the Killington Music Festival and the Summit Music Festival.

Studies at Curtis Institute of Music, Paris Conservatory. Also faculty of Brown University, and Tufts University.

Related links:
www.emmanuelfeldman.com

2009-07-28

Contact Emmanuel Feldman

LIFE IS A LOT LIKE JAZZ. IT'S BEST WHEN YOU IMPROVISE. GEORGE GERSHWIN