Some thoughts from Anne Howarth, horn faculty

Preparatory School - Tue, 2015-05-26 16:24

 What advice would you offer to young performers?

Find your authentic voice, and go after opportunities that feel right for you. There is more than one way to have music in your life. While a traditional orchestra or opera or string quartet may be right for some people, they might not be right for everyone. Maybe a mix of opportunities is what’s right for you. Or maybe something completely different. Every orchestra only needs one concertmaster, but the world needs a variety of musicians sharing their gifts in a variety of ways.

Apart from music, what other activities do you find enriching in your life?

Travelling, vegetable gardening, and spending time with my 1-year-old black cat, Junko. I love to see the world from other people’s perspectives, and traveling (even to other towns around New England) lets me do that. Vegetable gardening puts me in touch with the elements of nature and helps me practice letting go of outcomes. I plant the seeds, fertilize them and water them. After that, it’s out of my hands. I had never owned a cat before Junko, and she forces me to slow down. Just when I want to get up, she’ll crawl into my lap or up on my shoulder and settle in for a nap. As a result, I do much more meditating and pre-performance visualization then I’ve ever done before! It’s been great for my horn playing.

What have you been listening to most recently?

Benjamin Britten’s Serenade for tenor, horn, and strings, Op. 31.
I had the honor of performing it as faculty soloist with the Tufts Chamber Orchestra at the Granoff Music Center in Medford on March 31 at 8 pm and at Symphony Space in New York City on April 19. Several well-known horn players have recorded it, and I’m always curious to hear other horn players’ interpretations. The writing is terrific, and it is great fun to play.

Do you have any pets at home? If so, where is your favorite place to take them for a walk?

I think Junko would freak out if I took her for a walk! She’s definitely an indoor, city cat.


Allentown Seminario

Exploring El Sistema - Tue, 2015-05-26 12:03
The recent seminario hosted by El Sistema Lehigh Valley served approximately 175 kids from Miami Music Project, Kidznotes, OrchKids (which wasn't able to attend in the end because of the unfortunate situation in Baltimore), Play On Philly!, Bravo Waterbury, and even a handful of schools in our immediate region. This... Sistema Fellows Program

The Annex Makes Way for the SLPC

NEC Construction News - Thu, 2015-05-21 10:47

Dear NEC faculty, staff, and students,

Demolition of the Annex in the St. Botolph parking lot has begun. Most immediately, the “bridge” between this structure and the 241 St. Botolph building, will come down this week. Then the structure itself will be taken down next week.

NEC has put into place safety measures to protect the NEC family and work crew. As of today, then:

  • the parking lot is off limits and is now a construction zone.
  • Anyone entering the construction zone is required to notify Tishman Construction field staff and must wear a hard hat, safety glasses and high visibility vest.
  • The basement doorway entering 241 from the parking lot is closed to all but field construction staff.
  • Anyone entering 241 must use the main doorway.
  • Any NEC staff, administrators or others wishing to tour the construction site should contact Mike Ryan or Karen Kidd to arrange.  

Thank you and be safe.

As always, if you have questions, contact Mike Ryan (michael.ryan@necmusic.edu 617-585-1187), Karen Kidd (Karen.kidd@necmusic.edu  617-585-1181) or, until May 29, Ellen Pfeifer (ellen.pfeifer@necmusic.edu 617-585-1143).

P.S. Those irreverent Building Ops folks staged their own ground breaking…umm…glass breaking event as a coda to NEC’s official celebration. See photos below.

Commencement Into This New World

Huffington College - Tue, 2015-05-19 17:34
Within this Darwinian analysis of higher education, what is the state of play in the performing arts and where exactly is their place in our contemporary world? Tony Woodcock http://www.huffingtonpost.com/tony-woodcock/

The merits of voices

Exploring El Sistema - Mon, 2015-05-11 13:57
Jonathan Govias '10, Elaine Chang Sandoval '13, and Eriel Huang '14 recently participated in El Sistema and the Alternatives, a two-day symposium hosted by the London-based ethnomusicologist Geoff Baker. In addition to presenting a paper in London, Jonathan also found it necessary to write a blog post in response to... Sistema Fellows Program

We Are The Penguin Penmen!

Penguin - Fri, 2015-05-08 22:04

To The Students Of NEC

Penguin - Fri, 2015-05-08 22:03
by TONY WOODCOCK NEC President     As we approach Commencement and the end of the school year, I am saying farewell to NEC just as many of you graduating students will do on May 17.  Like you, I am moving into a new chapter of my life, which will provide I am sure as […]

Jonas Tarm’s Favorite Photos

Penguin - Fri, 2015-05-08 22:01

Our Time At NEC

Penguin - Fri, 2015-05-08 22:00
As the school year comes to a close, five graduating students have taken time to reflect on their different and unique experiences at NEC. On May 17th they, along with 240 other graduating students will walk across the stage at Jordan Hall one last time to receive their degrees. Join them in reliving some fond […]

Incremental Changes

Penguin - Fri, 2015-05-08 21:57
As the school year comes to a close, five graduating students have taken time to reflect on their different and unique experiences at NEC. On May 17th they, along with 240 other graduating students will walk across the stage at Jordan Hall one last time to receive their degrees. Join them in reliving some fond […]

Communication And Liberation

Penguin - Fri, 2015-05-08 21:32
by ALEX STENING First-year MM French Horn     Knock Knock! A rapping on the door brought us out of our trance, a state induced by speeding through a jungle, throwing bananas and the inevitable blue shell as we raced in the Lightning Cup on Mario Kart-Wii. Finally Papa John’s pizza delivery arrived and I seemed to […]

College scholarships for AMP graduates

Exploring El Sistema - Thu, 2015-05-07 13:26
Clayton State University and The Atlanta Music Project (led by Dantes Rameau '10, Aisha Bowden '12) recently announced a joint program that will provide endowed funding for AMP graduates to continue their education through the Clayton State Music Department. The scholarship funding will be utilized for students who major or... Sistema Fellows Program

Leaving town to come together

Exploring El Sistema - Thu, 2015-05-07 13:15
With support from the Resource Center, I traveled to Philadelphia to attend the El Sistema Symposium that occurred on January 8-11. I attended to catch up with other Fellows, and to create a team-building opportunity for me and Kidznotes Director of Programming Kim Demery. At the Symposium, I had a... Sistema Fellows Program

Speech on a "Pedagogy of Compassion" 04/25/2015

Jose-Luis Estrada - Thu, 2015-05-07 09:48
On April 25, 2015 I spoke to a group of United Methodist Women in Tulsa, Oklahoma. They are part of a service organization that engages with various social mission throughout the city. I was the speaker for their Quarterly Meeting. I spoke about my engagement with the work of Sistema, music education, and social justice. (Sistema is an after-school and full scholarship music program that serves youth and families who can benefit from an intensive, disciplined, and joyful approach to education.) I focused on sharing several ideas. One that resonated was the role a pedagogy of compassion plays in redefining priorities for education. Here is an excerpt of my speech which I have recently revised to follow an essay format:

You will recognize these words: “Do all the good you can. By all the means you can. In all the ways you can. In all the places you can. At all the times you can. To all the people you can. As long as ever you can.” These are the words of John Wesley. His teachings were instrumental in the founding of Methodism and they continually inspire many to think in terms of offering their lives as instruments of service in a spirit of social action or communal fraternity.

We need to think service in terms of a pedagogy of compassion. Such pedagogy may not just apply to the work of Sistema or music education but can spill over in and through other service missions. So many projects that you are already part of. In order to discern our role in nourishing compassion, we need to take a hard look at the reality of our world. Not in the way the famous actress Gwyneth Paltrow was challenged by the Food Bank of New York and sought out to live on $29 a week for food and then failed what turned out to be a widely broadcasted publicity stunt. Not like that. I am talking about getting to know people at the core of their humanity. Yet getting to know people also means suffering with them. That can be difficult for so many of us. Where should we start? Nelson Mandela said, that human compassion must bind us to one another—not in pity or patronizingly, but as human beings who have learnt how to turn our common suffering into hope for the future. Let’s pause and ponder the words. I invite you to explore those ideas. What does a pedagogy of compassion really entail? Does it entail experimenting with whether you can survive on little money for food or really getting to know people at the core of their humanity? And to suffer along with them. Those who are in service to others cannot ever pontificate from a pedestal. You might fight in the trenches, be in the trenches. Before my speech today, someone asked me whether I had an assistant to take Sistema student applications to schools or do some of the things that directors don’t have time to do? I said that I did not need such help. I need to take those applications myself. See the Principals, meet with parents, and speak to teachers. I need to meet them face to face so that I can feel who they are. To understand where our participants come from. I need to know the needs that inhabit their being. Because when I do that I realize that I have a lot to learn. We can all learn from one another. As we do, we come to cultivate a richness, an affluence of the Spirit as a community and as people. Even as we struggle and also as we thrive together.

As an educator, it is very important for me to engage with social contexts. What are some of the challenges that students living in poverty today face? I am asking about Tulsa, and Chicago and Philadelphia and the inner cities across the country. The Harvard Center for the Developing Child has uncovered many of these general challenges. The list several and include environments of violence in neighborhoods where there are almost daily thefts and drive-by shootings. Chronic parental neglect not because of choice, but because parents must work extra shifts and have other jobs to make ends meet; and they can’t see their children to bed, or read them a story, or sing them a lullaby. And then there is economic uncertainly. These all can become toxic stressors that impede proper brain development. The stressors have an impact in the development of executive functions, the brain’s air traffic control system, if you will. Working memory, mental flexibility, and inhibitory control are all essential tools that young people need to succeed later in life as they go to school, engage with their families, and play soccer at the local league. Here in Tulsa, George Kaiser is working to alleviate some of those challenges by providing a robust services platform for children between 0-3 years of age. This is the time when brain architecture is developed and is a crucial moment to invest to change the trajectory of child’s cognitive and emotional capabilities. This is important.

I hear educational leaders talk about the need to improve test scores and build better school infrastructures as if these could improve in a year or two. It doesn’t work like that. There are no magic wands to achieve instant success. We first need to understand where people are coming from. And then work with them and suffer with them. We have a lot of challenges. One of such challenges is segregation in our schools. Years after the civil rights movement, we the people have still have not achieved the ideals of equality and justice that all rightfully and unequivocally deserve. As I travel to schools in Tulsa, I see schools that are made up of a large number of minorities, sometimes up to 90 percent. And this is due in part because there is residential segregation. This of course is a larger issue that merits revision into many archaic public policies. Richard Rothstein has written eloquently about this and has expressed that social and economic disadvantage—not only poverty, but also a host of associated conditions—depresses student performance and that "concentrating students with these disadvantages in racially and economically homogenous schools depresses it even further." As we are building the Sistema Tulsa program, I’ve been very much aware of this phenomenon. And I ask myself, if we are truly looking to seek a social change through music education and believe that the orchestra can be a model for integration and social inclusion, shouldn’t we bring students together to play from all walks of life, rich and poor? So we are finding schools that together would strike that balance. Yet when I mentioned Lee Elementary to a few people, a school known for its maturity and perceived higher economic affluence, I received criticism. “Isn’t your Sistema program, an initiative for the poor?” they said. I believe this criticism was unfounded and lacked seriousness or understanding. I explained that our logic follows a research based approach and belief that if we integrate disadvantaged with more privileged students we can help narrow the achievement gap. Rothstein further explains that if we were to only focus on those students who are challenged the consequences of disadvantage would be exacerbated. So we must work towards inclusion not just in the orchestra but in the universe of our daily conversations, work spaces, and positions of leadership.

Not too long ago, I visited Chouteau Elementary to promote our program as part of a formal presentation. As I walked out of the room a family of Hispanic descent stopped me and asked, “Are you Mexican?” I said yes, my parents grew up in Mexico. Their eyes light up and I could sense that the little girl felt very proud about this. All of a sudden there was validation towards her heritage and in being able to feel that she can play a part in shaping the fabric of her own community. This also reminds me of the need to be role models for children. Especially teenage boys who because of their engagement with video games or music videos might develop a distorted view of the world and their role in it. (There aren’t that many male teachers in our schools. A recent study concluded that 1 of 10 Elementary level teachers is male. We need to encourage more participation because strong male role models are an important piece of the educational process.)

Speaking of views that shape habits of minds, I am also concerned about the amount of standardized testing that goes on at our schools. A few days ago, I sat as a monitor to the Oklahoma Core Curriculum Test or OCCT and I learned much from this experience. I was also reminded of Paulo Freire’s luminous book “Pedagogy of the Oppressed” as he warns socially conscious educators of employing any kind of activity that might have the potential to depreciate students. Every year, as test results come in to schools that are at-risk or disadvantaged their report cards tell them that they have made very little or no gains whatsoever. A letter grade of F is issued, and as a result, the community becomes demoralized. This tells them, as Freire contends, that “they’re good for nothing” and with time “they finally believe it.” This is a very dangerous educational practice. We must do everything we can to turn these flawed perceptions of non-aspiration around. This where I think music education can play a liberating role by recognizing each person as an asset, including them in an experience far greater than themselves, and weaving them into the fabric of beauty. And as they work hard to sound better they come to the quiet and spiritual realization that "nothing will work unless they do" (wise words from Maya Angelou). I think this is what compassion is all about. The British poet Siegfried Sassoon wrote a poem that I really like and I think it reflects the kind of feelings I’d like to impress upon you today:

Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on - on - and out of sight.

Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away ... O, but Everyone
Was a bird; and the song was wordless; the singing will never be done.

The bird is such a compelling metaphor as for everyone must find their voice and their passion and then sing it out loud to the world. As compassionate people, we must be there to help make that happen and feel that our song is bound up with theirs in the darkest and brightest passages of harmony. Even in the midst of our condition, I am still hopeful. And I hope that you will be too because we need people like you to help others understand how to make our communities a better and much richer place.

-Jose Luis
 

Vanguard conference invite for David France

Exploring El Sistema - Tue, 2015-05-05 10:36
The Vanguard is an "annual experiential urban leadership gathering of the best and brightest young urban leaders working to improve cities across sectors, including urban planning, community development, entrepreneurship, government, transportation, sustainability, design, art and media. Each year, Next City selects 40 applicants whose smart ideas for cities, experience in... Sistema Fellows Program

The Ensemble, May edition

Exploring El Sistema - Tue, 2015-05-05 10:23
The May edition of Tricia Tunstall and Eric Booth's publication chronicling the emerging field of El Sistema-inspired activity in the US and beyond is found here. Sistema Fellows Program

And So It Begins: Groundbreaking on SLPC

NEC Construction News - Tue, 2015-05-05 10:23

NEC Marks Official Start of Construction with Celebratory Ground-breaking Ceremony

Transformative Student Life and Performance Center to Open 2017

Conservatory Board Members, Donors, Officials, Students, Faculty, and Staff Gather for Musical Ceremony at St. Botolph Street Construction Site

Celebrating the start of construction on its Student Life and Performance Center (SLPC), New England Conservatory hosted a joyful groundbreaking ceremony Tuesday on the construction site at 241 St. Botolph Street in Boston. Board members, donors, faculty, staff, students, government and arts leaders, gathered on the current parking lot to lift symbolic shovelfuls of sand. There were speeches that paid tribute to the many people who had supported the project from its inception. And NEC brass and jazz students performed appropriately festive musical selections.

The first new construction at NEC since 1959, the $85 million SLPC is scheduled to open in 2017, to coincide with the Conservatory’s 150th anniversary. It will house a new residence hall with 250 beds, a two-level library for audio and print resources, a new dining commons, a black box opera studio, large orchestra rehearsal space with acoustics mimicking Jordan Hall, and a small ensemble room with recording studio suited to jazz and contemporary improvisation.

Designed by Ann Beha Architects with Gensler as Associate Architect, the project will be built by Tishman Construction, an AECOM Company. Beha’s firm, which is headquartered in Boston, also steered the restoration of NEC’s historic Jordan Hall in 1994–1995, receiving numerous awards for historic preservation and illumination. Tishman previously executed the $21 million exterior renovations of the Conservatory’s four buildings in 2009–2010, winning numerous awards for historic preservation and green initiatives.

Funding the project through a combination of private philanthropy and financing, the Conservatory has raised more than $60 million in donations to date. Trustee Board Chair, Kennett F. Burnes, who presided over the groundbreaking, credited the “extraordinary” support of Board members, alumni, and others who are helping the Conservatory meet its fundraising goal.

“The Student Life and Performance Center will transform the life of NEC students, faculty, staff, and the community,” Burnes said. “It will reflect and augment the Conservatory’s eminence in Boston and in the world of music education and performance.”

Along with its state of the art venues and facilities, the SLPC will also fill a more mundane gap—that is, spaces where students can just hang out. “When I was a student back in the 1980’s, if we needed to find someone, we either left a note taped to Beethoven (the statue in the Jordan Hall building) or hung out on the steps of Jordan Hall, hoping, by chance, our paths would cross,” recalled Trustee Deborah Elfers ’82 in her remarks. “I can’t imagine what it will be like for students and faculty to have gathering spaces—for the first time!—and how that will enable the spontaneous collaboration between different musical specialties, so necessary for a musician’s evolution…It’s just this collaborative environment that makes NEC stand out from the rest—it’s what we have become known for.”

For further information on the SLPC, check the NEC Website here

In photo L to R: Overseer Hope Baker, architect Ann Beha, Trustees Thomas Blumenthal, Wendy Shattuck, Michael Thonis, Deborah Elfers; Board Chair Kennett F. Burnes; Overseer Helen Powell; President Tony Woodcock; Life Trustee Steven Friedlaender. Photo by Pierce Harmon

Get to know Corey Seapy, conducting & clarinet

Preparatory School - Sat, 2015-05-02 13:00

What advice would you offer to young performers?

Listen to yourself very carefully and never say “I can’t.” Be disciplined,  patient, and use a metronome. Practice slowly first. Don’t be afraid to take chances and make emotional connections. Make every sound expressive, unless the composer tells you otherwise. If you don’t love it, do something else. If you do love it, do it as much and as meaningfully as you can.

Apart from music, what other activities do you find enriching in your life?

I like spending time with family and friends, skiing, being outdoors, and reading.

How would you describe the tone of your instrument/voice?

Limitless! That’s the best part about conducting.

Who has been your biggest source of inspiration throughout your education/career?

Claudio Abbado

If you could choose one career outside of music, what would it be?

A teacher of some sort. Perhaps a ski instructor.

What is your favorite genre of literature?  What’s the most memorable thing you’ve read in the past year?

Nonfiction. “Corresponding with Carlos” by Charles Barber.

What have you been listening to most recently?

Sibelius, The Punch Brothers, Radiohead, Elgar, Madeleine Peyroux, and Sonny Stitt.

Do you have any pets at home?  If so, where is your favorite place to take them for a walk?

Our guinea pigs don’t get out much. Bixby and Maestro are scared of anything that moves, including each other.


St. Botolph Entrance, Bike Racks, Parking Lot Closure, Offices Moving

NEC Construction News - Thu, 2015-04-30 09:44

May 1 Update

Dear NEC Faculty, Staff, and Students,

ST. BOTOLPH BUILDING MAIN ENTRANCE:

You’ll be pleased to learn that construction of the handicapped ramp is wrapping up and the Main Entrance of 241 St. Botolph Street will re-open on Friday, May 1. That means you will not need to access the building from the basement door.  Indeed, the basement door will also be closing permanently on May 1.

REMINDERS:

GROUNDBREAKING CEREMONY: May 5 at 3:30 pm in the white tent on St. Botolph St. Parking Lot. Don’t miss this celebration. Cookies and cake refreshments to be served.

PARKING LOT CLOSURE: The St. Botolph parking lot will close permanently as of Monday, May 4. This means that College and Prep faculty may use the lot through Saturday, May 2.

BICYCLE PARKING: On May 19, 2015, the bicycle parking area located in the Residence Hall Courtyard will be closed until August 21, 2015 due to work associated with construction of the Student Life and Performance Center. Please use racks to the left of the Jordan Hall entrance, and beginning May 19 near the St. Botolph Building main entrance.

NEW ALERTS:

OFFICE MOVES:  With the coming demolition of SB 113 (the annex), the closing of the parking lot, and other SLPC-related construction work, the following offices will be moving:

Entrepreneurial Musicianship:
As of May 18 to SB 320
As of Aug. 7 to SB 227

Student Services:
As of May 18, Shi Teeters, Hegland, Vaughn to SB 309
T. Handel to SB 380
B. Winkley, A Wolniak to SB 311
As of Aug. 10, all personnel to SB 225

Jazz/CI:
As of May 18, DiGiorgio to Admissions until 6/5
Schaphorst, Macadam-Somer, Netsky to TBA
As of Aug. 15, all personnel, 295 Huntington, Room 205

Health Services:
Closed for the summer
As of Aug. 17, 295 Huntington, Room 309

As always, if you have questions, contact Mike Ryan ( 617-585-1187), Karen Kidd
(617-585-1181) or Ellen Pfeifer  (617-585-1143).

The Death of Liberal Arts? Or the Reunion of Broken Parts

Huffington College - Fri, 2015-04-24 15:05
Zakaria is a compelling spokesman for the Liberal Arts. He shows unequivocally their importance in the cultural, economic and developmental world and how our world becomes threatened by the narrow focus of Manichean politics. Tony Woodcock http://www.huffingtonpost.com/tony-woodcock/

DO NOT FEAR MISTAKES. THERE ARE NONE. MILES DAVIS